![]() While the song may not be the New York native’s fastest rap verse, the Psycho-sampled violin riffs create a trippy, haunting effect that the rapper flows over easily. Released in 1998, “Gimme Some More” is Busta Rhymes’ second single from his third album Extinction Level Event: The Final World Front. Dre and Scott Storch, “Break Your Neck” was amplified by a colorful yet sweaty, Hype Williams-directed video with cameos from Spliff Star, Diddy, Ludacris, Fabolous, Ice Cube, and more. Released in 2001 as the second single from Genesis, the high-energy song dares fans to “keep on bouncing.” The vigorous lyrics, however, hint at the consequences for those who listen close. On “Break Your Neck,” the Flipmode representative showcases a range in style and delivery. Elevating his voice as an instrument, listeners are put on notice by deep, menacing threats to the perfectly on-beat stutters, highlighting the creative talent behind the agile bars.Īs the seventh rapper on the song, he represents New York on “Worldwide Choppas,” extended from Tech N9ne’s midwestern series. Among the global group, Rhymes’ verse stands out in the boastful collaboration. Released in 2011, the multilingual song finds Busta Rhymes alongside a handful of rappers all spitting at top speed. Busta Rhymes, Yelawolf, Twisted Insane, Ceza, JL, Twista, U$O & D-Loc Tech N9ne - "Worldwide Choppers" Feat.The agile delivery flaunts a rapid-fire delivery from Busta that is enhanced by amusing wordplay, expressive onomatopoeias, and a keen awareness of when to take those minute pauses to not interrupt a flawless flow. With the first verse on this speedy posse cut, Busta Rhymes sets the tone for a showdown between some of Hip-Hop’s most notable and proficient fast rappers. Released in 2011 by the late DJ Kay Slay, “60 Second Assasins” features Layzie Bone, Twista, and Jaz-O alongside Busta Rhymes, all coming through to “spit some real thug sh*t.” While each rapper brought something different to the table, everybody ate. DJ Kay Slay - "60 Second Assassins" Feat.So I keep my 66 strapped on my side, ready to stab or lie down in the lair, So, follow closely to what's being said, and you'll find my lines be more than words that rhyme,īut, to the god of this world, it's very scary, wishing he could set fire to my library, where my notes and quotes reside, Strongholds -I'm breaking, and kingdoms - I'm taking by force, ![]() To those dwelling in the body, it be strengthening, To the unconscious being, it's a spiritual awakening, So I sit and create a tape that variates in styles and sounds, but keep it underground,Īttracting the red, the yellow, the white, the black, the brown as I'm breaking down barriers, exploring new areas in a fade,Ĭreating skill that, when bumped, use your brush like a bungee jump, Now a vibe is a feeling, and a feeling is an emotion.and I know emotions are unstable like the ocean, Turn it up and let it bump when you ride. ![]() Turn it up and let it bump when you ride, That lets me know what I wrote didn't stick in their soul, 'cause if it did they'd already know my vibe. Why they stare, trying to figure out what makes the hood tick? Yeah, that's the ingredients to my flavour, my peculiar behaviour,īe keeping them in a daze, straight lost in bewilderment, Got to make that cabbage to pay my rent.but first I'm breaking off God with his ten percent, 'cause I'm obedient, With a abstract style, just like Lenny Kravitz, I got the whole crowd tripping off the rhymes I be flipping up like a tossed pen, ![]() Man, when I go to sleep I be dreaming of beats or a spotlight shining on me when I rock this mic, which I grip tight, Not a fad or a phase that'll fade away, but I breathe in holy hip-hop every day,Īlways snapping a finger or tapping my feet, So I stay prepared, 'cause this is my nine to five, Never know when my thoughts might drop something live, Homie's got a notebook and number two pencil, I got that hip-hop, the bosom singing trunk hard,Ĭooling out with my dogs in the front yard, ![]()
0 Comments
Leave a Reply. |